Nikon AF S NIKKOR 85mm f/1.8G Mounted Lens with Auto Center of attention for Nikon DSLR Cameras
Original price was: $ 479.95.$ 426.95Current price is: $ 426.95.
Product Dimensions | 2.87 x 3.15 x 3.15 inches |
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Merchandise Weight | 12.3 oz |
ASIN | B006TAP096 |
Merchandise fashion quantity | 2201 |
Batteries | 1 Lithium Ion batteries required. |
Buyer Evaluations |
4.8 out of five stars |
Absolute best Dealers Rank | #140 in SLR Digicam Lenses |
Is Discontinued Through Producer | No |
Date First To be had | January 6, 2012 |
Producer | Nikon |
Guaranty & Give a boost to
, To concentration the use of autofocus with guide override (M/A): Slide the lens focus-mode transfer to M/A. If desired, autofocus may also be over-ridden through rotating the lens concentration ring whilst the shutter-release button is pressed midway (or, if the digital camera is provided with an AF-ON button, whilst the AF-ON button is pressed). To refocus the use of autofocus, press the shutter-release button midway or press the AF-ON button once more. The quick most aperture of f/1.8 plays brilliantly below any lights stipulations and delivers stunning, herbal background blur that brings out the most efficient in any matter. Appropriate Structure(s) – FX, DX, FX in DX Crop Mode, 35mm Movie.
Speedy aperture medium telephoto lens
Interior concentration, focal period: 85 millimeter, minimal concentration vary: 0.80 meter
Silent wave motor (SWM). Choice of diaphragm blades: 7 (rounded diaphragm opening)
M/a focal point mode transfer. Filter out-attachment measurement is 67 millimeter (p=0.75 millimeter)
Nikon tremendous built-in coating (sic)
85 millimeter fastened lens, most replica ratio 0.12 x
Fruitielicious –
Love this for portrait!
I bought this for quick portraits and great blur and man it’s fantastic. The f/1.8 is tact sharp and at great alternative to the much pricier f/1.4 option ($1500). The performance between the 2 lens is marginal. If you’re getting paid as a pro photographer then you may get the f/1.4 but for the rest of us (I gather 95% of us), this f/1.8 is a great alternative. If you google around the web for the reviews, you will find this f/1.8 AF-S be a close second to the f/1.4 with what I would summarize as F/1.4 lens having 2-5% improvement in the picture quality when it comes to better light and better blur. I’ll save the $1000 and still produce great quality pictures with this F/1.8.1. Super light weight2. Fast focus3. Tact sharp4. Awesome low light performance5. Great bokehBelow is a summary of how I use all of my lens today and I hope it will help you find what you are looking for if you have similar needs as mine:* AF-S 50mm f/1.4: Great for infants and walk-around lens on the street. I use this lens most of the time for infant pictures because 1) I don’t want to use flash when infants have their eyes open even if I have a softbox/umbrella. 2) lightweight 3) low light performance at f/1.4. I also uses this when I’m out of the house because it’s not in-you-face when you pull it out of you bag so people won’t notice you. This lens also makes me move around a bit to be more creative vs. just zoom in and out. 50mm lens makes me think more about the shots.* AF-S 60mm f/2.8 micro: Great macro lens: I use this for very close up shots. I can get as close to less than an inch away even though the minimum focal length isn’t listed as being 1 inch away. You will want good lighting since flash will be useless when you are this close to the subject. I take photos of baby lips, eyes, face, hands and feet, & other objects such as jewelry * watches. Basically any fairly stationary subjects that I want to highlight the details and intentional imperfections/wrinkles, etc. I sometimes wonder if I should use this all the time instead of my 50mm but I find the 50mm better at non-macro shots because it focus faster and lets in 4 times more light.* AF-S 85mm f/1.8 : I use this most of the time for adult portraits and it has very good low light performance as well. I choose this over the f/1.4 version because the other reviews I’ve read on the web did not justify the extra $1000 spend for marginal performance improvement and unless I am getting paid to take pictures all the time, I don’t see the need to pay the extra cost for the f/1.4. This lens also makes me move around a bit to be more creative vs. just zoom in and out.* AF-S 24-70mm f/2.8: I use this when I just don’t know what kind of pictures I could be taking and need to have zoom & I don’t have to move around as much. While I don’t take landscape pictures (24mm) often, I will use this for a large group outing, birthday parties when I may need to get a wide shot of a lot of people in a room and be able to have a little bit of zoom capability and not have to walk up so close to the people’s face. This allows me to get some candid shots when needed. It’s fairly heavy at 2 lbs and huge when you put on the hood so I almost never use this lens when I’m on the street because it attracts a lot of unwanted attention. I wouldn’t want this hanging on my neck or shoulders for a long period of time.* AF-S 70-200mm f/2.8 vr2 : This is one of my favorite lens only because I can use it for portraits as well (with some lighting support) and I can get really good candid shots since I can be much farther away 10-20ft from my subjects and able to get a nice picture. I do have to crop at times to get rid of the cluttered background but with the D600 camera, I have enough megapixel details to crop my pictures when needed. This is obviously a monster lens so I avoid taking it for street photos even though I’ve had some nice pictures and experiences on the street but it’s so big… I’ve had people stopping me asking me if I’m a paparazzi and which celebrity I am stalking….. haha. It’s almost over 3 lbs so I definitely wouldn’t want this hanging on my neck or shoulders for a long period of time.* AF-S 70-200mm f/4: this is also a great lens and a fantastic alternative to the 2.8 version. At over $1000 less, this is a bargin and great lens if you’re taking photos at good lighting conditions (outdoor, have flash or good indoor lighting). Otherwise it may be problematic for you at F/4.
John McPhee –
An Extraordinary Performer, a Best Value Buy, Plus Several Alternatives and Some Tips
What a find! This is one of Nikon’s best lenses and yet it is one of its cheapest–a remarkable bargain. In particular, it is an exceptionally sharp lens. It just might become the sharpest that you own. You have to try out this lens to appreciate just how excellent it is. And as you know, the better and larger your camera sensorâs size and resolution, the better performance you will get with the right lens & camera coupling. That is what DxOMarkâs benchmark tests are based upon, pairings, and you can see on that site that this lens is very highly ranked. Basically it matches the performance ranking of this Nikkor 85 1.8G’s heavier big brother that is $1,100 more expensive and equally highly regarded 85 mm f1.4 Nikon AF-S FX NIKKOR 85mm f/1.4G Lens with Auto Focus for Nikon DSLR Cameras. In my tests, although I love that lens too, I did not find what I needed in its performance wide open so why pay more? Some of my colleagues counter that it has better glass and a heavier build that is well worth the difference. It is a heftier lens, solidly built but just not the best choice available for my travel kit or budget. In a blind test I doubt I could distinguish which print came from which of these two Nikkor 85mm lenses.On the other end of the price scale, if you are on a tight budget you can still find deals on older 85D auto focus lenses like these ones presently starting around $300 on Amazon, Nikon 85mm f/1.8D Auto Focus Nikkor Lens for Nikon Digital SLR Cameras – Fixed. There is also a faster, well respected, more expensive model, the 85D 1.4 that still has many loyal fans, Nikon 85mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras. All of these Nikkor 85 mm lenses offer very good to excellent optical quality. In general, from what I have seen over the years I think most newer lenses have more contrast and better color saturation because of improved internal coatings but the optical quality of the older glass is still superb. The “D” models have advantages of distance scales for DoF and infinity hard stops. As a Nikon user you have a lot of 85mm lenses from which to choose. And if you do not need auto focus Nikon’s even older lenses might interest you and come at a great price. As a general rule, the problem with manual focus today is that digital cameras do not usually offer view screens that are close to being the most appropriate for manual focus and that is compounded by modern lenses’ barrels, except for Zeiss, that no longer make it easy to control critical focus by offering more distance to gradually move the barrel as needed. Yes, I can and do manual focus but it is not remotely as easy as it was to control focus as in the film camera days when cameras used specialized screens and lenses were designed exclusively for manual focus. Otherwise my recommendations would be a bit different.Do I have a list of Cons? Just two. The Nikkor 85G does not have image stabilization. Frankly, that would not be reasonably expected at this price, currently about $476. I have rarely, if ever, had image blur using this lens in the studio or outdoors. In part, that is also explained by using it most of the time between f4 and f5.6 at fast shutter speeds so motion is a less likely factor and the auto focus is dependable. Nonetheless, if you have any problems keeping your camera steady without a tripod, then the lack of VR would not be your best choice. Read on below for an 85 mm lens from Tamron that is also very sharp and it has image stabilization. One problem often reported for this Nikkor that I do see is CA on edges where there is quite high contrast. Thankfully, LR and other programs quickly and easily remove it. An lastly, although not really a con, this lens is not intended to be used for things like landscape photography. It performs best at or near wide open depending upon how much DoF you require. That doesn’t mean you can’t use it. It is still a good lens stopped down but there are simply better lens choices for things like landscape. You can still go ahead and use it in a pinch.Third party alternatives? There are lots. I would be remiss if I did not mention some of the highly regarded 85 mm lenses that other manufacturers offer including my favorites if budget no longer matters. Zeiss offers several, terrific 85 mm lenses both old and new. But for most folks their higher price and lack of auto focus could be deal breakers. Tamron offers a new, highly rated alternative with auto focus for $749 that is distinguished by being the first 85 mm lens with image stabilization (VC),Tamron AFF016N700 SP 85mm F/1.8 Di VC USD Lens (Black). I have not used it but but there are sufficient reviews that agree it is exceptionally sharp, that the VC is effective, but there are also some reports of consistent focus issues. In general, if the user is not at fault, there are two common kinds of trouble. Any manufacturer’s lenses can suffer from focus shift but thankfully, unless the lens is damaged, that can be fine tuned in-camera to correct by the user. The other kind is more complicated and it only affects third party lenses’ in their auto focus compatibility. It is a quite a different focussing issue. All third party lenses can have such problems with Nikon because it does not share its proprietary, secret handshake between camera and lens to ensure the highest level and consistency of auto focus compatibility. Companies have no recourse except to reverse engineer. But care must be taken in doing so to avoid patent infringement. In fact, Nikon successfully sued Sigma for a lot of money on that account c. 2011.Sigma makes my highest recommendation for an 85 mm lens, the recently released, 85 1.4 lens from its renowned Art series, Sigma 85mm f/1.4 DG HSM Art Lens for Nikon F (321955) which at this time sells for $1,200. What distinguishes Sigma from competitors so far is that it came up with a good, cheap solution that can correct focus shift and any compatibility problems (so far) with Nikon cameras, using its affordable $59 dock, Sigma USB Dock for Nikon. The dock does not work with every Sigma lens but it covers all of the Art series plus some others. I have had excellent results with these lenses. IMO, their 50 1.4 Art lens is the best lens I have ever used in terms of sharpness and resolution although there have been Leica and Zeiss lenses that are also stellar. This Art series is an especially great match for my Nikon D800e. At this moment, the Sigma 85 1.4 Art is the highest rated lens overall at DxOMark. And just like the Sigma 50 1.4 Art, this newly released Sigma 85 1.4 Art lens rivals the performance of the esteemed Zeiss Otus lenses at their respected focal lengths. The Zeiss Otus 85 mm 1.4 lens, Zeiss Otus 85mm f/1.4 Apo Planar ZF.2 Series Manual Focusing Lens for Nikon DSLR Cameras is outstanding, manual only, and at $4,400, is by far the most expensive 85mm lens you can buy that fits a Nikon. Zeiss offers other excellent performing 85 mm lenses for less with a Nikon F mount but they all are manual focus only and are still relatively expensive such as the Milvus 85 1.4, Zeiss Milvus 85mm f/1.4 ZF.2 Lens for Nikon F. Older, very good Zeiss 85 mm lenses will be less. I admit that I am a fan of Zeiss. Its lenses have always demonstrated a distinctive look with remarkably attractive color rendering and contrast. Just don’t expect to see Zeiss lenses with auto focus for Nikon.Before you buy an 85 mm focal length lens which I will assume is for portraiture, what are the best alternatives? This is a subjective matter. First of all nothing I can recommend is going to be as fine a performer or nearly as inexpensive as this Nikkor 85G AND also be as small and light weight. And of course, if you do primarily want it for portraits, 85 mm has been a favorite focal length for generations. But donât feel constrained by convention. For example, some people prefer 50mm for portraits. However, if your subject has any feature that is larger than average you might find a 50mm lens exacerbates that. The counter argument would be that knowledgable posing technique and post production can minimize such problems. You will also being working closer to your subject for better or for worse. But if you do prefer a “normal” lens and you especially love bokeh, the Nikkor 58 mm Nikon AF-S FX NIKKOR 58mm f/1.4G Fixed Zoom Lens with Auto Focus for Nikon DSLR Cameras is exceptional for portraits. Sometimes it gets a bad rap but I think it is easily misunderstood because of its intended purpose. It is a kind of speciality lens because of the impressive way it makes distinctive transitions moving between what is sharpest to areas that are out of focus. The bokeh is remarkable, as good or better as anything I have seen. But again, that is a subjective matter. I just do not consider it to be an all purpose normal lens although I know people who disagree although with a few caveats.Overall though, for portraiture, I recommend looking within the focal range of 85, 105, and to a lesser extent, 135 mm primes or else weigh the trade offs in using a relatively light weight zoom like the excellent Nikkor 70-200mm f/4 lens Nikon 70-200mm f/4G ED VR Nikkor Zoom Lens which costs about $1,400. I offer that range because there is never a single answer for all of us about what best suits our personal needs so keep your options open to begin with. If you like to work in low light obviously you will appreciate the fastest lens models at any focal length. But they will tend to be considerably larger, heavier and more expensive. No flying submarine exists although I come back to our little Nikkor 85G 1.8 lens that IMO just might come closest to offering a compelling case for being the best compromise. And you can’t beat its quality for the price. Nonetheless, there are several alternatives I have mentioned here that deserve your consideration.If feasible, nothing beats a side by side comparison of lenses using tests that are appropriate in covering everything it is you like to do and that you do the most frequently. See how it feels in yours, the balance with your camera as well as its optics. Those are the keys. Cameras come and go but it is solid planning to buy the best lenses you can when you can. It is very old but wise advice. I wish you great success in your hunt.
Diego –
Lente Nikon muito boa. Brilho, nitidez.. Vale a compra…
Lam –
Poco que decir a los aficionados a la fotografÃa sobre este objetivo. Para mi es imprescindible para retrato. Su calidad es muy buena. Tiene un boke muy bonito y el enfoque rápido y preciso y muy nÃtido. El precio dentro de su calidad.
Pascual lopez Alba –
Dem har varit snäll
PRAVEEN.R –
My review after using it for two yearsbasically I am a Nikon user its simply awesome for portrait photography but you can only use it up to max 2.8 as max aperture its good up to to thatPROsusable for portrait photographygood low light performanceno issues for farsuitable for Indian weather conditionsCrisp picture quality even at low light conditionConsyou can only use it up to max 2.8 as max aperture its good up to to thatfocus issues at f1.8 in low light conditions
Emmanuel Flores –
Mi alternativa excelente , calidad precio en comparación al muy bueno pero pesadisimo 70-200 vrII , al menos para retratos y sociales , es una óptica de muy buenas prestaciones, su calidad de imagen es muy buena , nÃtido en 1.8 , enfoque aceptable , muy ligero , en general estoy encantado con los resultados que he obtenido, ideal para sesiones de retrato y sociales , para otros motivos seguiré usando el 70-200 solo por la versatilidad de focales.