Blue Ember XLR Condenser Mic for Recording and Streaming, Custom Cardioid Capsule and Mic Stand Mount, Gray
Original price was: $ 99.99.$ 39.95Current price is: $ 39.95.
Item Weight | 0.84 Pounds |
---|---|
Impedance | 40 Ohm |
Microphone Form Factor | Large Diaphragm |
Item dimensions L x W x H | 8.62 x 1.5 x 1.26 inches |
Power Source | Corded Electric |
Material | Metal |
Signal-to-Noise Ratio | 78 dB |
Hardware Platform | Camera |
Number of Channels | 1 |
Frequency Response | 20 KHz |
Manufacturer | Blue |
UPC | 836213001547 |
Item Weight | 13.4 ounces |
Product Dimensions | 8.62 x 1.5 x 1.26 inches |
ASIN | B07MBFBQ3F |
Item model number | 988-000379 |
Customer Reviews |
4.5 out of 5 stars |
Best Sellers Rank | #2,889 in Musical Instruments (See Top 100 in Musical Instruments) #55 in Multipurpose Condenser Microphones |
Is Discontinued By Manufacturer | No |
Date First Available | January 3, 2019 |
Color Name | black |
Material Type | Metal |
Warranty & Support
, Ember brings Blue’s legendary studio sound in a compact form factor to your creative space. Featuring a custom Blue condenser capsule, Ember delivers open, accurate sound with impressive headroom for clear, commanding voice recording and streaming. The focused cardioid pickup pattern helps minimize room sound and Ember’s compact, side-address design fits anywhere and keeps a low profile on camera.
Custom Blue Condenser Capsule – captures your voice with stunning depth and clarity
Open, Accurate Sound – with impressive headroom, Ember delivers clear, commanding vocals for your voice recordings, gaming and video streaming
XLR Connection – Perfect for computer audio interfaces and mixers
Precise Cardioid Pattern – Ensures focused sound while minimizing room sound
Wide, Consistent Frequency Response – innovative circuit design provides remarkably consistent phantom power to the capsule
Adjustable Mic Stand Mount – for connecting to standard microphone stands and boom arms
NR –
Very good upgrade from Yeti
I’m not an audiophile or even an advanced audio user. I had been using a Yeti to record voice audio for recordings computer software demonstrations I record for you tube and corporate posts. The Yeti works fine, especially when you post process it. But I wanted to improve my audio for live conference calls.So I did my normal ‘watch a thousand online reviews’ and try to decide what I wanted. A bit of background on my selecting an XLR mic. With a USB mic like the Yeti, you can’t run it through any external processing before it hits the computer. So you get what’s in the mic, and that’s it.The challenge with condenser mics is that they pick up sounds in your neighbor’s house. So I’ve always run a noise gate filter on post production of Yeti recordings. When I first started thinking about the Yeti for conference calls, I tried an opensource piece of software that put itself in the audio path on Windows, and provided noise gate, eq, and more.The problem with that was it took so much of system resources, my computer couldn’t keep up with the audio and web conference (i.e. all glitchy). And it wasn’t very stable either.So that’s when I looked at external hardware that could be used to apply filters like a noise gate. That led me into XLR mics. I won’t go into my journey to find the right piece of hardware for the external noise gate to usb into PC. That’s a long one, and one I haven’t been too happy with so far. I’m leaning back toward just using a very simple XLR to usb interface until things advance in the current other options.So that said, this mic does really well with its cardioid pattern, and I am able to adjust the gain t where ambient noise doesn’t really become irritatingly apparent. But, this also requires the mic to be 2 to 4 inches from my mouth. That’s ok for the most part, since it’s so slim, it doesn’t really distract when in frame with a video web conference.I had purchased a shock mount for it and that was quite a bit of hardware in the way of the video frame. But I found I don’t need it. When on a boom from a tripod, with the included hard mount, I don’t get any reverb or noise transfer into the mic I did with the Yeti and absolutely used a shock mount for that. So that was a pleasant surprise. No shock mount = less crap on screen.Second thing that surprised me was that it seems to have an integrated pop filter. You have to practically smack your lips on the screen before you’d need a pop filter. So again, slim mic, not taking up frame real estate.I believe this is why they add streamer application to their marketing for it. And I’d agree. Now, like any mic you can crank the gain and keep it out of frame, but with this type of mic, you will be needing a very specialized recording booth. The recommended use for and mic like this is 2 to 4 inches from your mouth.I’ve seen a lot of reviews of this mic where they say ‘oh, the included mount is substandard and you NEED a shock mount’, and the same sort of thing about a pop filter. To that, I say ‘no, you don’t’The mic generates a great reproduction of my voice and I am pleased with it right out of gate, with no processing. All that said, I’ve now caught the bug to improve everything, and have added some dedicated lighting to improve my video. While it’s not impossible to light and keep this very slim mic in a spot that is acceptable without throwing a shadow on your face, I’ve decided to try out a hyper cardioid pencil mic that I can keep just out of frame.But I will definitely have this for my go to mic when doing voice over for my recordings. I’m sure I will still do post on it, but is light years ahead of the Yeti in voice quality, so way less post and better overall results.For $100 (plus any additional XLR stuff you need if you’re just leaving USB mode) I think it’s money well spent. I like this thing a lot and wouldn’t hesitate to recommend to someone with similar needs as me.
DG –
Great Mic, and re: shock mounts
Got this, and like it better (for my voice) than the AT2020, which is also a very good microphone.FYI, the Blue Ember has a 22mm outside thread for the mount (on the mic itself), which is the same as the AT2020. So any “threaded” shock-mounts that fit the AT2020 should fit the Blue Ember just fine.
Mike Garza –
Youâre not beating it for the price
Blue has essentially smashed prices way down and so Iâd recommend this to anyone wanting to get into âprofessionalâ audio as a starter. Streaming and recording sounds perfect with this microphone. It has a tad of a darker sound, but is still extremely clear. It does require a bit more gain than usual condensers, but that isnât an issue if you run a compressor. Thing is built like a tank, could probably use it as a home defense tool, genuinely. Solid microphone for the price and is definitely going to be an amazing stepping stone into better quality products. I could say, this may be endgame for a lot of users that need simplicity. Be aware it is extremely light, so if you use a PSA-1, youâll need to either switch off that arm, or find a way to add weight to it.
Borris –
Good value for the money… to a point
The Blue Ember condenser is an impressively quiet mic for it’s $99 price tag, and generally doesn’t need a lot of processing to sound good. As far as the microphone itself, I don’t have much to complain about, especially considering my dislike for other Blue prosumer microphones such as the Yeti.The shape and low profile makes it easy to place in difficult positions.However, there are two major things to be aware of.1: It needs a shock mount in the worst way. The shock mount that Blue recommends costs as much as the microphone itself. If you don’t have a shock mount, don’t put this mic on a stand placed on a desk, or that easily conducts sounds. It’s too small to fit inside of your typical cheap shock mount. It will just fall right through. While there are other shocks that have similar threads, they are generally not long enough. I tried a few. I really wish Blue had included a shock mount in the box. Even a small clamp-style one would be better than the clip it comes with now.2. A pop shield is absolutely necessary. I would use a pop shield with any mic anyway, but this is just something to remember.Now that you’ve spent $99 on a mic, $99 on a shock mount, and let’s say $30 and up on a good pop shield, you’ve gone into the territory of other budget-friendly mics that are perhaps just as good, if not better, but come in kits with this stuff already. The price of the mic is great, but when you factor the rest in, there are many more options to choose from.So, at this point, the Ember’s big selling point is probably it’s profile, and the fact that it doesn’t have the typical cheap Chinese condenser microphone sound.
Not an audiophile –
Great microphone, no holds barred
I bought this thing because it was on sale and I liked what I heard on Podcastage. I have a few mics. I’ve had the nt1, the lct440 pure, the sm7b, the sm57 and sm58, a couple of modded microphones with micparts stuff and a few other mics. This one is really good.I would consider this a good all arounder. The frequency response is pretty flat to very slightly V shaped. I use it for everything really. Acoustic instruments, percussion and vocals are mostly what I use it for. It’s excellent, sounds very neutral, especially on vocals and it mixes very well with music.Would I recommend it? Yes, especially if you’re looking for a first condenser or something versatile, BUT, at the price point, I would recommend an SM57 over it, just because it wins in versatility. However, the sound signature of the Ember is more neutral and less nasal sounding on certain vocals. I am very happy with it, though.
darrell skinner –
Great quality
Blue mics never miss as any price point
Meg –
Used for recording
Used for recording podcast with friends – works well and has good quality sound to it.
Metro gnome –
These are discontinued….meaning they are WAY CHEAPER than they should be..MUCH BETTER than a AT2020 and half the price on Amazon, where I bought it. Great deal especially for someone that doesn’t have a mic.It requires phantom power so keep that in mind. Boosting this mic a bit helps
andre luiz de paula –
VOZ… VIOLAO….GUITARRA…ACORDEON….ETC….PLUG E GRAVE….SO ISSO!!!!
Cliente de Amazon –
Muy buen micrófono, excelente construcción, sólido, buena calidad de sonido
Ralf –
These days you can get the Blue Ember for quite some good deals and it’s just such a relaxed and smooth sounding microphone with lots of volume in the voice. Perfect for podcasts and other voice applications like streaming etc. Get a good pop-filter OR have good mic technique and you will love this microphone. It’s a condensator mic so you will need phantom power.
Jayadevan V –
Best sound detailing…. Just awesome sounding…. Pro Sounding with Excellent detailing…. Worth products….Just Amazing when working with Audient Cards…. Would suggest This microphone under 15k range…..