Sony SEL16F28 16mm f/2.8 Broad-Perspective Lens for NEX Collection Cameras
$ 248.00
| Product Dimensions | 0.91 x 2.44 x 2.44 inches |
|---|---|
| Merchandise Weight | 2.61 oz |
| ASIN | B003NRHAH8 |
| Merchandise style quantity | SEL16F28 |
| Buyer Opinions |
4.2 out of five stars |
| Perfect Dealers Rank | #467 in SLR Digital camera Lenses |
| Is Discontinued Through Producer | No |
| Date First To be had | Might 24, 2010 |
| Producer | Sony |
Guaranty & Strengthen
, Sony SEL16F28 16mm f/2. 8 Broad-Perspective Lens for NEX Collection Cameras Landscapes, structure, snapshots . this 24 mm identical (35mm complete body structure) E-mount high lens can quilt all of them. Compact and intensely light-weight, this lens will all the time be in a position for motion with out being a burden to hold. Whilst a polished aluminum alloy external offers the lens a complicated really feel, a motor at the inside of delivers clean, quiet autofocus and aperture operation that contributes to high quality motion pictures in addition to stills. When converting your aperture to defocus the background, the sunshine assets seem blurred. This ‘bokeh’ impact of the blurred background can also be enhanced with round aperture blades used on this lens. Standard aperture blades have flat facets growing unappealing polygonal formed defocussed issues of sunshine. α lenses triumph over this drawback via a novel design that assists in keeping the aperture virtually completely round from its wide-open surroundings to when it’s closed by means of 2 stops. Smoother, extra herbal defocusing can also be bought in consequence. Aspherical lens design dramatically reduces round aberration whilst additionally lowering lens dimension and weight. Round aberration is a slight misalignment of the sunshine rays projected at the symbol aircraft. That is brought about by means of variations in refraction at other issues on typical round lenses which degrade symbol high quality in large-aperture lenses. Specifically formed “aspherical” parts close to the diaphragm repair alignment of sunshine rays on the symbol aircraft, keeping up prime sharpness and distinction even at most aperture and can be used at different issues within the optical trail to cut back distortion. Neatly-designed aspherical parts can cut back the overall selection of parts required within the lens, thus lowering general dimension and weight. Complex Aspherical (AA) parts are an advanced variant, that includes an especially prime thickness ratio between the middle and outer edge. AA parts are exceedingly tricky to provide, depending at the maximum complex molding generation to persistently and exactly succeed in the specified form and floor accuracy, leading to considerably progressed symbol accuracy and high quality. The space encoder performs an essential component in ADI flash metering, which delivers prime precision flash metering this is unaffected by means of the reflectance of topics or backgrounds. The space encoder is a lens part that without delay detects the location of the focusing mechanism, and sends a sign to the CPU to be able to measure distance to the topic. Right through flash images, this knowledge may be very helpful in calculating how a lot flash output is suitable to the scene. Best the center teams of the optical machine transfer to reach focal point, so the full period of the lens does now not alternate. Different vital advantages come with rapid autofocusing and a brief minimal focusing distance. Additionally, the filter out thread on the entrance of the lens does now not rotate, which is handy for those who’re the usage of a polarizing filter out. 2012 Sony Electronics All rights reserved. Replica in complete or partially with out written permission is illegitimate. Sony isn’t answerable for typographic and photographic mistakes. Options and specs are matter to modify with out realize. Sony, BIONZ, BRAVIA, BRAVIA Sync, Cyber-shot, Exmor, InfoLITHIUM, Reminiscence Stick PRO Duo, Reminiscence Stick Duo, the Reminiscence Stick brand, Optical SteadyShot, Far flung Commander, Smile Shutter, Stamina, SteadyShot, Theatre Sync, TruBlack, and Xtra Nice LCD are logos of Sony. Microsoft, Home windows, and Home windows Vista are logos of Microsoft Company. Mac OS and iMovie are logos of Apple Computer systems, HDMI is a hallmark of HDMI Licensing . All different logos are logos in their respective house owners.
Lens now not Zoomable. Footnotes:”35 mm identical focal period (APS-C)” and “Perspective of View (APS-C)” are with interchangeable lens virtual digital camera incorporating APS-C kind symbol sensors.
Minimal Center of attention Distance : 0.8 toes (0.24 m)
Most Magnification ratio : 0.078x
Focal Duration : 16 mm. Perspective of View (APS-C)- 83°. 35 mm identical focal period (APS-C)- 24 mm
Appropriate with non-compulsory VCL-ECU1 ultra-wide converter and VCL-ECF1 fisheye converter
Casey Queen –
Great Lens for Product reviews!
I bought this lens after watching a think media review over it! Great lens. This works super good for my youtube videos. It’s wide angle so i can get the camera super close to product with it looking great. This lens works great for a desk setup pr a top down view! Auto focus works great! Image stabilization and picture quality is perfect! Just buy it already, stop hesitating. I bought mine used and works great!
Floyd Goodrich –
All you could ask for…
I have the 18-55 kit lens for the Sony NEX-5 and wanted a good wide angle lens for it. This lens is quality built and produces tack sharp pictures. This is a great low light lens and really reduces the size of the NEX-5 to pocket size (big pocket). I’ll use this for family photo’s and backyard type photo’s, its not well suited for vista shots although your not limited by this lens. Bottom line, well built solid steel construction and very good in low light, produces clear colorful photo’s. Works well in tandem with the 18-55mm kit lens.
D.Robinson –
A Great Option For Hiking Backpacking and Travel
This Sony 16mm is a nice lens if you accept it for what it is. When I want to shoot wide, I almost always go with my Sony 10-18mm. The 10-18mm is a near flawless piece of glass when paired with my Sony a6000. The problem is that is a big and heavy lens, which makes it difficult to carry around while on longer hikes. I picked up the Sony 16mm pancake for taking photos while hiking. To start, the size is perfect. I can fit this lens in the side pocket of my running vest, and its much lighter than the 10-18mm. The 16mm on the cropped APS-C sensor is equivalent to 24mm on a full frame. This allows me to capture the wide landscapes I see while hiking. There is also a wide angle attachment that can be paired with the 16mm to get even wider.As others have noted, the 16mm can be a big soft at the corners at 2.8-5.6, but looks better as. Once you’ve stopped down to 5.6, things look a bit sharper. For hiking, I’m almost always in the 5.6-15 range, so the soft corners don’t bother me. There is no stabilization in this lens, but it’s a wide angle, so not that big of a deal. The one issue I have is that the autofocus isn’t as accurate as when I’m using the 10-18mm.At <$250, this lens is a great value. Some of the other reviewers are complaining about this lens as if it cost $1000. Be realistic about you're going to get at this price point. In my opinion, the value per dollar is quite high. If you want a lens that is super sharp, you're going to have to pay a bit more.
Charles J. Sarchet –
New all time favorite for my NEX
The positive reviews of this lens are accurate. I bought a used one through Amazon and couldn’t be happier with the service I received from the reseller or with the performance of this product. It significantly reduces the form factor of the NEX-3/5 making it the perfect lens to have on the camera when you want to travel light and don’t need a zoom. It performs well in low light situation for its glass configuration and performed perfectly shooting video the night of the 4th. I’ve found it’s perfect for shooting where flash photography is not permitted. It won’t be replacing any of my Canon or Nikon DSLR lenses but it is a great lens for the application it was designed for.
M. Brandon –
“Comparison Shots” vs. a proper wide angle lens…
EDIT: TL;DR – It’s OK if you want it as “vacation shot” lens and it outperforms phone cameras by a long shot, but below average when compared to a “real” prime lens on DSLRs or mirrorless. I don’t need snarky people dismissing my review because I actually went to the effort of providing test examples. This review is meant for people to decide if THEY would be fine with the test shots for decent everyday photos (family, events, etc….not studio work).I was really disappointed with this lens. My review is based on comparing to my NEX-5R and my Canon 7D with a Sigma 17-50mm 2.8 EX (I’ve uploaded photos to compare).Let’s set a few things straight: The NEX’s use an APS-C sensor like many entry/mid DSLR (same one in some Nikons), so leave the sensor out of the MAJOR equation. Also, sharpness is not the whole of a lens, but a big sum of what it is (I did not do comparisons of color accuracy and contrast).I’ll briefly mention (since most have already stated in other reviews) the 16mm is metal and not plastic (probably aluminum). It’s still extremely light (compared to my metal FD and other manual lenses from Yore). The focus ring is narrow and maybe “too smooth” when manual focusing. I say too smooth because being so light, I found it hard to know if I even moved the ring (since often times I was trying to move the barrel instead of the focus ring). Manual focus (MF) lenses tend to have rubber or a knurled texture to know if you were on the focus ring. Also, older manual lenses tend to have a “tighter” pull when rotating the ring than the Sony 16mm since it feels “loose”. The focus ring also spins around infinitely in either direction unlike most old MF lenses that stop completely.”But I have no intention of using crusty, 30+ yr old manual lenses!”.OK…that’s fine. But a lot of current lenses have a “slow-down” or heavier friction when you reach the limit of each end of the focus (they still spin around infinitely, but you can tell when you’re at the end). With this lens, You have no idea if you are at the extreme end of focus close to you (very critical when trying to figure out how close you can get to your subject). Compound the fact that the ring focuses in the OPPOSITE direction that my Canon lenses do (so I was trying to focus behind the subjects when I was trying to get as close to them as possible).Enough about the cosmetics and ergonomics of the lens…how does it perform? Let’s keep in mind the price, because that’s the biggest advantage (actually it isn’t as I found out). I bought it for about $170 used. That’s a lot less than the $600 I paid for my Sigma 17mm-50 2.8. I found the Sony 16mm was soft around the edges wide open (f/2.8) and lots of “halo-ing”. These anomalies are to be expected from most cheaper lenses. But even stopped down to f/4, the Sony doesn’t fix these issues. The Sigma at 17mm@2.8 had a little bit of soft corners, but still better than the Sony even at f/2.8 (photos above). The Sigma fixes all the soft/halos by f/3.5. I didn’t even want to use the Sony 16mm even stopped down because it defeats the whole purpose of shooting wide-open or near that with faster lenses compared to kit lenses.Speaking of kit lenses, I’ve seen better performance from other kit lenses than this prime lens. Let me re-iterate the PRIME lens part. You BUY a prime lens for it’s faster speed (from f/1.4 – 2.8) and ability to create smooth/blurred backgrounds. A kit lens should in no way shape or form, outclass a PRIME lens! Yes, I spent $600 on my Sigma wide-angle. Yes, I spent $170 on this USED prime Sony16mm lens…but brand new, they want $275+ for this! I only used this two times (one to make these comparison photos) before it went back to the seller (47th Street has great customer service!).For those photographers serious about getting a good, quality lens…this isn’t it. Save your money for something else (I’ll find a MF wide-angle). For those that want a pocket NEX with a pancake lens, this definitely fits the bill. It’s super light and fits anywhere. If you don’t demand mission-critical focus and want something that’s far superior to a “camera phone”, get this lens. Yes, I said the Sony 16mm is FAR superior to a camera phone because it still DOES show quite a bit of detail that is lost amongst typical cell phones, but not near the lines of a proper prime lens.
Kindle Customer –
Small but a value for the money good aufocus good quality lens.
Bhoopati Baboo –
Decent lens for the price. Together with the ultra-wide and fisheye converters, this a great deal but image quality is average at best. Videographers can get away with the quality although there’s no hybrid AF (contrast+phase detection) support so AF is a little slow (at least it’s smooth).
Bri –
Not only does it suck for focusing (constantly switching between my face and the background) but mine has black lines that run up it and are so distracting. Definitely think its garbage.
sujay –
Superb product, Lightning fast delivery as requested…
Doug Reddy –
Great lens.